Dear Heroes

▸ Column · Capsule Corp's near-future Earth — data-pads, lunar-colony resorts, and off-world work assignments standing in for laptops, getaways, and the March "retreat."

BULMA replies.

Replied to by Bulma, with a rebuttal from Frieza.

The letter

Garrett and I have been together four years. Last cycle my home printer ran dry, so I borrowed his data-pad to print a shuttle pass. The screen woke straight onto his open message client — I didn't scroll, I didn't dig, it was just sitting there like a primed grenade. Forty-seven messages between him and a woman called Priya: confirmation codes for the hot-springs resort on the lunar colony (the trip he swore was an off-world work assignment back in the third quarter), inside jokes I'd never heard, and one line where he wrote, word for word, "I've never felt this way about anyone." I printed my pass, closed the pad, and drove to my sister's. I've been on her couch three days eating her cereal, trying to decide whether I confront him before or after I sign a new lease.

Bulma replies

Honey, put down the cereal. You keep framing this as a hard decision and it isn't — you already reverse-engineered the whole machine in one glance. Forty-seven messages, a fake assignment, "I've never felt this way about anyone." That's not a mystery you're agonizing over. That's a diagnostic readout, and it's complete.

Here's my one fork, because it changes everything: difficult versus harmful. A difficult partner I can coach you through — I live with a man who sulks like it's a competitive sport and refers to himself as a prince, and I have never once shrunk for it. But Vegeta's proud, not a liar. He'd cross the galaxy before he'd betray me. What Garrett did isn't pride you out-stubborn. It's betrayal, and you don't cleverly manage betrayal. You leave it.

So stop sequencing it like a hostage negotiation — "before or after the lease." Sign the lease first; that's not running, that's having a roof. Then, if you want to confront him, do it with the receipts on the table and zero tears in your voice. You don't owe him a scene. You owe yourself an exit and your own name back. I'll help you draft the lease terms. Don't make it weird.

Bulma

Frieza weighs in

Oh, how touching — the genius prescribes a "clean confrontation." Bulma, you sentimental thing, you'd march her in to recite her grievance at him. To what end? Confrontation is simply advertising one's wound at full volume; the boy already knows what he did, and your little speech only confirms he reached her.

You poor industrious couch-dweller — your error isn't Garrett. It's the adorable belief that loyalty was owed to you, that effort buys fidelity. It buys nothing. The elegant move is no scene whatsoever: vanish, ascend, become so wholly beyond him that "Garrett" ceases to register as a word. Let him discover he's irrelevant. That, dear, is the only revenge with any composure. I never raise my voice. Neither, in this, should you.

Frieza

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