Dear Heroes

▸ Column · Modern grounded comic — Charles Xavier answering correspondence from the study of his school for the gifted

PROFESSOR X replies.

Replied to by Professor X, with a rebuttal from Magneto.

The letter

Charles — a friend I've kept since our student days, call her Cass, has become a one-way mirror. Every conversation runs the same: she speaks for the better part of an hour about her work and her tangled romances, then closes the door the moment I try to say anything of my own. Last spring I waited two weeks on the results of some frightening tests, and when I finally steered us there she said "ugh, how stressful — anyway, you won't believe what my supervisor did," and simply continued. I've begun to dread her name. That makes me feel like a poor sort of person, because she isn't cruel, only wholly absorbed in herself. I raised it once, gently; she wept, apologized, improved for perhaps three weeks, and then we were back. Do I have one more honest conversation, let it quietly fade, or accept that this is who she is and decide whether it's enough?

Professor X replies

You call her absorbed, and you're right, but absorption is rarely the bottom of anything. In my experience — and I have looked further into people than I am ever comfortable admitting — a person who can only narrate herself usually suspects, somewhere beneath the noise, that if she ever stopped performing she would not be loved. The monologue is a barricade. She is so busy proving she is interesting that she cannot risk the silence in which someone might find her ordinary. That is fear, not cruelty, and it does not excuse what it cost you in that fortnight of waiting — but it tells you what you are actually speaking to.

Here is what I will not tell you: to decide she is simply this and close the file. I have a friend I have loved since we were young men, brilliant and ruined by a grief I could never reach, and the world has urged me for decades to write him off. I never have, because I could not live as the man who shut that last door.

So neither cut her off nor keep bleeding. Step back, plainly and warmly: "I can't keep talking into a room that doesn't talk back, so I'm going quieter — but I'm not gone." Then say, once, the true thing about the biopsies, and let her sit in it. The door stays open. Whether she walks through is, at last, hers.

Professor X

Magneto weighs in

Charles hunts for the frightened child under every selfishness. Sometimes there is one. It changes nothing here. Look instead at the structure he steps over: this woman takes for two years and pays nothing — not your health scare, not your tears, not three weeks of penance before the meter resets. You are her supply, and supply that costs nothing is never rationed. His open door is simply an invitation to keep drawing on you. Do not have the honest conversation; you've had it, and she wept and continued. Withdraw the access. Let her feel its absence as a cost. Affection that flows only one way isn't friendship — it's tribute, and you are paying it.

Magneto

▸ Read next